Cut it Out: March 2011

Monday 21 March 2011

I Touch Myself

I Touch Myself, Mixed media, Sketchbook spread, 297x210mm, 2008

Thursday 10 March 2011

Wonderland

Wonderland, Mixed media, Sketchbook spread, 594x420mm, 2004

Wednesday 9 March 2011

Hello Courtney

Hello Courtney, Mixed media, Sketchbook spread, 420x297mm, 2009

Tuesday 8 March 2011

Welcome to Paradis

Welcome to Paradis, Mixed media, Sketchbook spread, 297x420mm, 2009

Monday 7 March 2011

Delicious Hot Food

Delicious Hot Food, Mixed media, Sketchbook spread, 594x420mm, 2007

Sunday 6 March 2011

Ex-Stacey

Ex Stacey, Mixed media, Sketchbook spread, 420x297mm, 2008

Saturday 5 March 2011

Twin Towers

Twin Towers, Mixed media, Sketchbook spread, 594x420mm, 2009

Friday 4 March 2011

San Fran 2

San Fran 2, Mixed media, Sketchbook spread, 420x297mm, 2009

Thursday 3 March 2011

Yes

Yes, Mixed media, Sketchbook spread, 420x297mm, 2010

Wednesday 2 March 2011

Projector

Projector, Mixed media, Sketchbook spread, 594x420mm, 2008

Tuesday 1 March 2011

For Kate I Wait

For Kate I Wait, Mixed media, Sketchbook spread, 594x420mm, 2009

About Rost

Rostone’s work covers a variety of disciplines including graphic design, painting, photography, collage, film and music production. Primarily he sources ‘visual ingredients’ creating a huge sample bank from which he constructs complex collages. The essence of this visual sampling process in his artwork is comparable to that of a hip hop producer who samples from the past, re-appropriates and creates something new. The influence of Pop Art and Graffiti culture are also blatantly apparent, as is his fascination with nostalgia. When compiled and collaged together all these elements create complex layered compositions that deal with the equally complex subjects of love, memory and the coming of age. The narrative is created in the body of work as much as it is the individual pieces, it is about bringing together sampled elements to tell a story.

Often these stories are not blatantly apparent, at first glance areas of whitewashed colour seem nothing more than a dirty canvas, on closer inspection these reveal un-digestible layers of scribbled out pencil scrawl, buffed out imagery and splats of spray-paint. By using a cute and friendly colour palette the viewer is drawn in only to discover a surface that is ugly, layered, scratched, unfinished and yet beautiful at the same time not unlike the complexities of any urban landscape. The juxtaposed placement of the graphically sharp photocopied images, stickers and tape over this painterly base create a jarring effect reminiscent of torn billboard posters against a graffiti covered wall. It is like the painting is trying to hide the fact it is a painting, but not succeeding very well.

Rostone (under the name 76) is also a keen DJ and music producer, he likes crackly old 45rpm singles from the 1950’s, leftfield Hip Hop and strange beepy noises. His music production and artwork often inform each other making for an interesting working process. He is also a serial blogger, professional mud wrestler, style whore, idiot and is the head honcho of the RWC crew. Rostone likes to make shit happen. He is possibly the poorest man alive but his heart is in the right place.